I just watched the movie White Bird on a flight, and even through the tiny airplane screens, I found elements of this film quite impactful. I imagine a movie critic might find some flaw in the plot or character development and consider one of the “main threads”—the link between a character’s Holocaust history and her grandson Julian’s involvement in bullying—a bit thin. Yet, through Helen Mirren’s gifted acting and the ability of actor Bryce Gheiser, who plays Julian, to communicate a wide range of emotions solely through his eyes and facial expressions, the potential for transformation in a lineage of intergenerational trauma comes through quite potently.
One of the memorable dialogues for me is a scene set in 1942 when the young Jewish girl, Sara—who will become the grandmother—listens to her father explain why they must flee their home:
Sara: Why do people hate us so much?
Father: Not all people—you need to remember that. But some do. Some—yes. What I believe is that all people have a light inside them, and that light lets them see into other people’s hearts. But some people have lost it. They have darkness inside them, so that’s all they see in others. They hate us because they can’t see us. As long as we shine our light, we win.
Martin Luther King Jr. once said, “Darkness cannot drive out darkness. Only light can do that.”
In the Northern Hemisphere, we are on the edge of our winter solstice, a day that holds five more hours of darkness than any summer solstice. From here, we move toward longer light. For most of humanity’s time on Earth, this dark period signified going fallow, surrendering to the biological imperative of deep rest, hibernation, and stillness. The immense glow of modern life—waves of energy and light emitted from devices, streetlights, and vast swaths of “development”—costs us our dark time.
We need the light because we are the light. And yet, we are, and need, the darkness too. Our inner landscapes exist in darkness. Visible light may enter our superficial skin layers, but our interior – brains and kidneys – are shrouded in total darkness. And, they are nourished by photons emitted through the sun’s rays. Most photons that reach us on Earth are not in the visible spectrum but in the Near Infrared (NIR). NIR is light we cannot see, so even in its presence, without visible light, it seems dark. Even so, these photons bathe our organs. In Kreyol we have a term, “Sa nou pa we”, that describes the everpresent unseen. The invisible that surrounds and protects us, especially in the dark.
In these times, when news and conversations so often refer to “these dark times” or “the dark times ahead of us,” darkness can seem solely negative. Philosopher-historian George Santayana wrote, “Those who cannot remember the past are condemned to repeat it.” While the intergenerational thread explored in White Bird is crucial to consider now, as history threatens to repeat itself through the rise of divisiveness, dominance and violence, “othering” the darkness may not be helpful. The tendency to make darkness undesirable can separate dark and light, who thrive most in togetherness. When one is clearly visible, the other is sa nou pa we.
Darkness is what the tiny seed experiences when it is first placed into thick, dank loam, completely buried in earth. It is this dark embrace that allows that tiny capsule of potential to quiver with the idea of life and begin to reach through the dark toward light and space, until it unfolds in growth to become a fresh expression of life itself. Darkness is what invites the depth of rest and potency of stillness that allows vibrant creativity to emerge.
Depending on where you are, this year’s ending will fold into winter’s darkness or stoke summer’s light. May we all be enveloped and embraced by that blanket of darkness that quiets and stills in service of regeneration. And may we be courageous enough to be the light.